I'm lucky enough to own two fantastic harps (technically three but one is for sale!).

You can read a bit more about them here.

The big one...

The big one...

The big one - my beautiful 47 string Salvi Minerva (named Scathach)

This harp is a 47 string concert grand, also known as a pedal harp, or simply as a big harp (as opposed to a small harp/clarsach/lever/folk harp).

My harp was made in Italy and it’s about 30 years old.

The body of most harps is made from maple and the soundboard is made from spruce. My particular harp has a veneer of rosewood and is finished with gold leaf. It also has decorations on the soundboard which are hand-painted.

This harp is named Scathach, after a Celtic warrior goddess who lived on the Isle of Skye and instructed young clan warriors in the art of battle. The legend of Scathach is one of my favourite Celtic myths, and I found out about her after a wedding photographer posted a photo of Dunscaith Castle on Skye - the home of Scathach. This was soon after I’d bought this harp and I decided I’d like some warrior goddess influence in my life.

It works – I feel totally fierce like Beyonce when I’m playing this harp!

I’m asked how I transport it all the time – there’s a little video here.

The new electric one…

the electric one

The old electric one…

The new electric one! My 34 string Camac DHC Carbon

(named Storm)

I started a mentorship with American harpist Deborah Henson-Conant who developed this harp along with the team at Camac. This is a later version of the wooden one below. Deborah (DHC) wears it on a harness so she can move freely on stage but just for now, I am more comfortable having something to hide behind a little.

This harp works exactly the same as the one below, it’s just so much lighter and easier to transport. I LOVE it. I also love the old one but I don’t have enough space to keep both so the old one is up for sale.

Storm was named after a particularly soggy but utterly brilliant run on Colonsay.

The ‘old’ electric one - my stunning 36 string Camac DHC Electro - currently for sale!

(named John McGuinness)

This harp is a very early version of the Camac DHC – in its current version this is a lightweight carbon fibre harp which can be worn in a harness on the body.

My version is solid wood and is a little too heavy to wear, although it has been done (not by me).

This is an electric version of a small/clarsach/lever harp, like a solid-bodied electric guitar. It has a pickup on every string and can be amplified just as a guitar can. At the moment I’m experimenting with guitar effects and loop pedals which is a huge amount of fun.

This harp is named John McGuinness after road racer..umm..John McGuinness.

I bought this harp in Edinburgh and it’s black and gold, so someone said it reminded them of the Guinness harp. So it became McGuinness, and then John McGuinness.

 

 


The perfect number of harps?

People ask me this all the time…

Well.

As a cyclist/motorcyclist, the perfect number of Things is a matter of regular discussion, and there is a formula which I believe applies equally well to harps.

Some say the perfect number is n+1, where n is the number you already have. Meaning, you always want more.

Some say the perfect number is n-1 where n is the number at which point your partner will leave if you buy any more.

My limits are financial rather than anything else, but my perfect number would be 6, as follows:

  1. Posh pedal harp - I have this one already, see Scathach.

  2. Workhorse pedal harp

  3. Electric pedal harp

  4. Electric lever harp - I have one already, see my beautiful Storm.

  5. Acoustic lever harp (I’d love a Starfish harp as they are made in the Scottish mountains!)

  6. Lap/tiny/very portable harp (I had one called Milky after Manx road racer Milky McQuayle but he lives with another harpist now)